最新ニュース

Montréal
Montréal
最新ニュース
Barcelona
Barcelona
最新ニュース
Buenos Aires
Buenos Aires
最新ニュース
Mexico
Mexico
最新ニュース
San Francisco
San Francisco
最新ニュース
Tokyo
Tokyo
最新ニュース
Argentina
Australia
Austria
Belarus
Belgium
Brazil
Canada
Chile
China
Colombia
Czechia
Ecuador
Finland
France
Germany
Ghana
Greece
Guatemala
Honduras
Hong Kong
Hungary
India
Indonesia
Iran (Islamic Republic of)
Israel
Italy
Jamaica
Japan
Kenya
Korea, Republic of
Lebanon
Lithuania
Luxembourg
Mexico
Morocco
Mozambique
Netherlands
Nicaragua
Norway
Peru
Poland
Portugal
Romania
Russian Federation
Serbia
South Africa
Spain
Sweden
Switzerland
Syrian Arab Republic
Tunisia
Turkey
United Kingdom of Great Britain and Northern Ireland
United States of America
Uruguay
Viet Nam
Zambia
Barcelona
Buenos Aires
Dubai
Montréal
Mexico
San Francisco
Tokyo
エディション別フィルター
全てのエディション
年度別フィルター
都市別のニュース
フィルター
都市別のサイト
About
MUTEK のカッティングエッジなアーティストをチェック

デジタルクリエイティビティとエレクトロニックミュージックの国際的フェスティバル

Known to play on the stripped-down tension and brutal beauty of foundational techno, Blawan has been turning out savant, industrial-grade stompers for nearly a decade. Part of a wave of young British producers who show a deep appreciation for modular synths as exploratory sound design tools and live instruments, this techno titan has a natural fluency for rhythm—whether straight, stridently syncopated, or swinging somewhere in between.

His early days in Barnsley, UK drumming in post-punk bands laid the groundwork for his early-aughts entry into an electronic field teeming with bass music producers. While he rapidly distinguished himself with the instantly anthemic Why They Hide Their Bodies Under My Garage, a harrowing, Fugees-sampling, era-defining banger, Roberts rapidly retreated from the spotlight. He resurfaced in 2015 as a newly Berlin-based, modular synthesis-focussed producer of thrillingly crepitating and clobbering warehouse techno. He also unveiled the label Ternesc for all subsequent Blawan releases. Last year, he dropped his acclaimed debut LP Wet Will Always Dry, capping off a decade of thunderous, no-frills techno released under various guises. The album was hailed as a breakthrough moment of auditory alchemy for Roberts, whose wistful, warm voice makes a few noteworthy appearances. His other aliases, Kilner and Bored Young Adults, like his collaborations with Pariah as Karenn and with Surgeon as Trade, have provided additional bandwidth for experimentation, with a forthcoming EP of Karenn material slated for an April release on their newly minted Voam platform.

Having expertly commanded the desk for over a decade with his dramatic modular sets, the festival is delighted to welcome Blawan for his MUTEK debut, sure to send hearts aflutter and pulses racing at speeds somewhere along the techno-industrial axis.

スタイル

Industrial-grade techno stompers; stripped-down tempo tension meets hardware-driven drama; thrillingly crepitating and clobbering warehouse techno

レーベル

Ternesc, R&S Records , Hessle Audio

最新の

Karenn: Kind of Green (2019) ; Blawan: Wet Will Always Dry (2018)

より多くの

Prior to settling on his no-nonsense techno orientation, Blawan briefly toyed with Brandy’s nineties R&B jam “I Wanna Be Down,” resurrected as the gleefully crunchy “Getting Me Down,” voted Resident Advisor’s track of 2011

MUTEKs

Montréal: 2019